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Home News Nobel winner Ernaux: godmother of French grit lit

Nobel winner Ernaux: godmother of French grit lit

Published on 06/10/2022
Written by Emilie BICKERTON
Published from

Hugely popular for her deceptively simple novels drawing on personal experience of class and gender, the Nobel Literature Prize winner Annie Ernaux is a trailblazer for a generation of French writers from tough and immigrant backgrounds.

Over some 20 books — many of which have been school texts in France for decades — she has unsparingly examined one of the country’s great taboos — class — often through the prism of her own life.

Virginie Despentes of “Vernon Subutex” fame has hailed her as a key influence and Edouard Louis, whose first novel about growing up gay and in poverty in northern France was translated into more than 20 languages, said he had been “deeply affected by the power and beauty” of Ernaux’s work.

Her books are the grit in the French literary oyster, offering an alternative to the “unconditional admiration for the pretty phrase,” as she puts it.

And she has not been afraid to tackle the painful and the personal.

The acclaimed movie “Happening”, adapted from her autobiographical work about having an illegal abortion in the 1960s, won the Golden Lion at the Venice Film Festival and was nominated for a BAFTA award last year.

– Memory –

Outside France, recognition for her work has only come in recent years, notably after the English translation of her key 2008 work, “The Years”, which was nominated for the prestigious Man Booker International Prize in 2019.

In it Ernaux used family photos as well as scraps of popular culture to recall her life and explore the impact of bigger historical events.

Personal experiences are the source for all Ernaux’s work and she is the pioneer of France’s “autofiction” genre, which gives narrative form to real-life experience.

“When I write I do not have the impression of looking inside me, I look inside a memory,” she once said.

– Fame and shame –

Ernaux, who was born on September 1, 1940 in Yvetot in Normandy, and grew up above a little cafe-shop run by her parents, calls herself a “class defector” for leaving that world behind.

She has explored this in many of her books and in doing so has offered a literary lifeline to young writers also emerging from humble backgrounds.

Climbing the social ladder also left its mark and she has been candid about the guilt and shame of her “betrayal” of her parents and their way of life.

“Writing is the thing I can do best… as a defector, a political act and as a gift,” said Ernaux, who left home for university when she was 18.

Although she never lived there again, she never turned her back on her working class roots, either in books or her politics.

Ernaux joined the “yellow vest” anti-government movement that rocked France in 2018 in its first week and attacked intellectuals who regarded the protests “with contempt”.

– Feminist model –

Ernaux is a feminist model to many — independent and outspoken and someone who has come through some pretty harrowing experiences.

Her first novel “Cleaned Out” in 1974 was a cool-eyed but harrowing account of an abortion she went through in her youth and that she had kept secret from her family.

She married in her mid-twenties and had two boys, but got divorced in 1984 and raised her sons alone, keeping on with her writing and teaching in the Paris suburb of Cergy-Pontoise, where she still lives.

Ernaux said her decision to keep a day job was due to her fear of losing everything — a worry rooted in the working-class struggles of her youth — and also the desire to keep her writing free from financial obligations.

“If I made writing my only job I would be forced to want my books to sell,” and this “material necessity” would rub off on the work, however unconsciously, “it stains it”.

In recent years Ernaux has been a strong voice supporting the #MeToo movement, which was longer to take off in France with the likes of actress Catherine Deneuve initially defending male “gallantry” and men’s right to hit on women.

“I was so ashamed for Deneuve,” Ernaux said, describing her comments as “the reflection of a group of privileged women.”

“In France we hear so much about our culture of seduction, but it’s not seduction, it’s male domination.”