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You are here: Home Leisure Cinema review Cinema: Thrills to be had among angels and demons
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21/05/2009Cinema: Thrills to be had among angels and demons

Cinema: Thrills to be had among angels and demons Picturenose's James Drew checks out the latest Dan Brown 'history mystery' adaptation, Angels & Demons.

Ron Howard, Tom Hanks, Dan Brown et al suffered in the critical backlash against Howard's film version of Brown's The Da Vinci Code (2006) – and somewhat unfairly, in this reviewer's opinion.

True, the film was never going to win any awards for screenplay writing, and there were one or two notables (Sir Ian McKellen, Jürgen Prochnow, Alfred Molina) who appeared to be slumming it for the money, but there was no doubting the fact that the film, very much like the mega-bestseller that inspired it, did exactly what it said on the tin – cod history detective work, made accessible by a genuinely thrilling premise and exciting set pieces. Essentially, film and book were both a classic case of entertainment enjoyed only by audiences – think The Bodyguard (1992), perhaps?

Anyway, the sequel (which is in fact an adaptation of Brown's first novel to feature Harvard symbologist Robert Langdon (Tom Hanks)) reunites the star and director of the first film and, thankfully, David Koepp has joined script-writing forces with Akiva Goldsman (who made, as I've already acknowledged, something of a mess of ...Code).

Angels & Demons (2009) © Sony Pictures Releasing GmbH

The improvements are obvious – Howard's film is a darker, leaner, moodier effort than his first, one that incorporates timely elements of extreme terrorism along with the higher theological questions.

In Switzerland, Dr Vittoria Vetra (Ayelet Zurer) is overseeing the initiation of a secret, but benign experiment – her team of CERN scientists set the Large Hadron Collider to work, with the aim of capturing three vials of antimatter, a fantastically powerful, hugely dangerous substance which, if it comes into contact with matter, will explode with a five-kiloton force.

The experiment's aim is achieved but, immediately afterward, one of the scientists is murdered and his eye cut out to bypass the containment room security. One of the anti-matter vials is missing – and the Illuminati, a 400-year old sect that is mortally opposed to Catholicism, appear to be behind the crime. This is not good news, because in Rome, the Vatican is mourning the death of the Pope, while the preparations are made for the Conclave of the College of Cardinals, which will select the next Pontiff.

Camerlengo Patrick McKenna (Ewan McGregor) assumes day-to-day control of the Vatican while the world waits for the white smoke, but the Illuminati kidnaps the four most likely candidates (preferratti) before the Conclave goes into seclusion, and threatens to kill one at 8, 9, 10 and 11pm, before destroying the Vatican in “a burst of light” at midnight. Someone call that man Langdon, sharpish...

Angels & Demons (2009) © Sony Pictures Releasing GmbHIt is a testament both to Brown's original novel and Howard's sure-handed direction that this never descends, as it quite easily could have done, into po-faced ridiculousness. Instead, we have an intriguing, genuinely thrilling narrative, with more than a few solid surprises thrown in for good measure. Hanks seems far more assured as Langdon this time around, and the chemistry between him and Ayelet Zurer is a refreshing step up from the mawkish, almost infantile relationship with Audrey Tatou in the first film. Will it bring other critics round? Tough to say, but at least the blockbuster season begins without blasphemy.  
138 mins.

James Drew

 

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'Expatica's weekly cinema-review section is brought to you in collaboration with Picturenose.com'  

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