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You are here: Home Leisure Cinema review Cinema - He's French, he's flash and in the movies
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11/06/2009Cinema - He's French, he's flash and in the movies

Cinema - He's French, he's flash and in the movies Picturenose's James Drew puts his football allegiances aside (almost) to enjoy Ken Loach's latest.

Looking for Eric

Cards-on-the-table time - your reviewer loathes with a passion (some might say with every fibre of his being, at times) a certain football club variously known as Scum, Glory Hunters Central, Manure and the Evil Empire. Oh, they also go by the name of Manchester United, for the truly (and mercifully) unenlightened.

I won't go into detail as to the reasons for this particular life choice, suffice to say that I picked the team I hated long before falling for the team I love (it's West Ham United, for those who care), but director Ken Loach and myself are going to have words the next time we meet. True, he seemed a very personable chap when our paths crossed on his last visit to Brussels (promoting his previous film, the sobering take on UK immigrant labour, It's A Free World...(2007)), but, on the strength of his latest, Looking For Eric, it would appear likely that our Ken is a United fan. Oh dear.

What is perhaps even more irritating is that fact that his light-hearted film is mostly very enjoyable (but with a dark streak running through it - this is Loach after all) and, perhaps worst of all, does a very good job of making 'Red Devils' fans appear likeable. Almost.



Paul Laverty (who worked with Loach on his previous film) constructs a tale that appeals to heart and head alike - Steve Evets plays down-on-his-luck Manchester postman Eric Bishop, a life-long United fan who idolizes the one-time King of Old Trafford, Eric Cantona. He's in the pits - burdened with two teenage stepsons from his previous marriage with whom he no longer has a relationship, and still doting on his lost love Lily (Stephanie Bishop) of 30 years ago, with whom he had a daughter, Sam (Lucy-Jo Hudson) then left in the lurch, Eric is looking out on a world without hope. Or so he thinks. A plaintive plea to a poster of his hero receives an answer, amazingly enough - a visit, in person no less, from 'Ooh-Ahh' himself. But Eric is not here to offer soft soap - he's taking our man in hand, and there will be fireworks.

Loach rarely makes a film with characters that are difficult to warm to, and this is no exception - while the basic premise is obviously rooted in fantasy, straightforward, gutsy performances from Evets, and particularly from Gerard Kearns and Stefan Gumbs as his stepsons Ryan and Jess, keep it grounded in working-class, football-loving realities, while the story's darker side (Ryan's growing allegiance to a gun-wielding local 'psycho' businessman, and the danger this poses to all concerned) is treated with respect and unflinching realism. A fairy story this 'aint, but that's not to say there isn't room for magic.

Looking for Eric (2009) © Studio / ProduzentAnd Cantona himself? A marvel, as you might expect - he's already won his spurs as an actor, and he's clearly having a great deal of fun playing himself here: 'I am not a man. I am Cantona.' In addition, there's a rare chance to see just how good he was - nothing short of magic on the field. There, I'll unclench my teeth now.

Say no more, I suppose, but you know what this means? Yes, that's right, another squillion new 'fans' signing up at Old Trafford. Still, it might also mean that a few people who actually come from Manchester will start supporting the club. What do you think?
116 mins. In English and a bit of French(!).



Also released:
Pranzo di Ferragosto (Mid-August Lunch)

Gianni di Gregorio's sweet-as-a-daisy film features perhaps the most formidable set of elderly ladies since Katie Johnson et al took on Alec Guinness and his mob in The Ladykillers (1955) - Ferragosto is the time in Rome when the sticky, sweltering heat is all-consuming, and if you can get out, you do. Director Di Gregorio wrote the screenplay, directs and appears as the 60-odd (rather odd) Gianni who still lives with his mother (Valeria De Franciscis). In fact, stay-at-home sons are very common in Italy - they go by the name of mammone. All fine when you're in your 30s and enjoying mamma's home-cooking and cleaning, but the roles are reversed if you're still in situ at 60. Gianni puts up with his lot with good humour but, when first one, then two more mammas (Marina Cacciotti, Maria Calì, Grazia Cesarini Sforza) arrive to stay over the Ferragosto holiday, gratefully dumped there by friends who are owed a favour) it gets tougher and tougher for Gianni to stay, well, sane.

Remarkable, life-affirming, sad and very funny - this has it all. Don't keep the ladies waiting...
75 mins. In Italian.

James Drew

Please check local listings before travelling. For more reviews, check out www.picturenose.com

'Expatica's weekly cinema-review section is brought to you in collaboration with Picturenose.com'  

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Expatica 2009      



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