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You are here: Home Leisure Arts & Culture Cinema: the state of play in Obama's US
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18/06/2009Cinema: the state of play in Obama's US

Cinema: the state of play in Obama's US Picturenose’s James Drew wants to be a journalist like Russell Crowe in 'State of Play', while Jeremy Slater tells you why you shouldn’t miss Charlie Kaufman’s directorial debut, 'Synecdoche, New York'.

State of Play (2009)
It’s an interesting phenomenon – cinema, down the years, has by and large served the Fourth Estate very well. Choice examples such as Billy Wilder’s Ace in the Hole (1951), All the President’s Men (1976) by Alan J. Pakula, and Michael Mann’s The Insider (1999) are very much ancestors to Kevin McDonald’s State of Play (2009), which was itself originally a very highly rated Paul Abbott-written BBC mini-series directed by David Yates, back in 2003.

In short, the best films about the noble hack’s art deal with the importance of getting the story right, getting it first, and the price that often must be paid for finding out the truth.


Kevin Macdonald (The Last King of Scotland (2006)) proves himself more than adept at getting the best from his ensemble cast, led by Russell Crowe as maverick but principled Washington Globe reporter Cal McAffrey and his hard-bitten editor Cameron Lynne (Helen Mirren), who stumble upon a link between two seemingly unconnected deaths, a petty thief who is gunned down in an alley and the beautiful assistant to Congressman Stephen Collins (Ben Affleck), who ‘falls’ in front of a subway train on the morning of the new Congressional hearings. McAffrey, of course, spots a conspiracy in the wings – he has a turbulent past connection with the Congressman involving Collins’s wife Anne (Robin Wright Penn), but he wants to help and protect his old friend. However, as he and his ambitious young rookie-writer sidekick Della Frye (Rachel McAdams) begin to get closer to the truth, involving a corporate cover-up packed with insiders, informants and assassins, the risks to the investigators’ very lives become increasingly apparent. How much is a story worth?

Matthew Michael Carnahan and Tony Gilroy have done an excellent job of compressing the three-hour original into a tight, breathless 120 minutes, and the film’s greatest strength lies in its unsensational, sincere approach to the journalist’s daily grind. As with All the President’s Men, State of Play illustrates very well how even the biggest stories are nailed not by lightning flashes of inspiration, but rather the plodding painstaking process of making the calls and getting people on the record. Crowe, on the other side of the coin here from his role in The Insider, is entirely believable as the newshound who’s prepared to put everything on the line, while Mirren excels (she seems incapable of doing otherwise these days) as his increasingly hacked-off boss.

State of Play trailer

Only the ending may seem a touch pat, striving for the final twist that seems a touch tacked-on, but this is still a fine, intelligent thriller demanding close inspection.
127 mins.
James Drew

 
Synecdoche, New York (2008)
 
Why would you want to go and see a film which, for a Hollywood movie, is so down on itself and life? A film that begins depressingly and refuses to change mood is obviously not going to attract a large audience – the Brits wallowing in post-Empire angst and driven by a new type of working-class director were past masters at kitchen-sink misery nearly 50 years ago, and people wonder why the British film industry disappeared for nearly two decades soon after.


Yet, the reasons you should see this film are because:

i) it is Charlie Kaufman’s first outing as a director and he has real form as a writer of intelligent movies (Adaptation (2002) and Eternal Sunshine of the Spotless Mind (2004)).

ii) it features some of the best character-actors around, including Philip Seymour Hoffman, Catherine Keener and Emily Watson iii) it has a very good script.

and, iv), is probably the best American movie of 2009 thus far.

Synecdoche, New York trailer


It begins with struggling suburban theatre director Caden Cotard (Hoffman) facing mid-life crises as both his health and marriage collapse. His relationships with other women are not much better, but some amusing moments are supplied by Hope Davies as Cotard’s therapist who uses their therapy sessions to promote her best-selling books.
The one good relationship he has is with his four-year-old daughter Olive but, after his wife Adele Lack (Keener) concludes a successful art exhibition in Europe that has her appearing on high-end lifestyle magazine covers, she takes Olive away to start a new life in Berlin.

Cotard’s fortunes improve following an innovative production of Death of a Salesman when he is awarded a MacArthur grant to produce a work of significant artistic importance. He decides to create a version of New York in a huge warehouse near the theatre district of Manhattan and populates it with thousands of actors who are asked to act out their daily lives down to the most mundane of details. The strange logic of the project in time requires actors to imitate other actors including eventually Cotard – Sammy Barnathan’s performance in this role is exquisite and funny. During the next 20 years, the warehouse becomes a city within a city but, as with Cotard’s health it degenerates bit by bit, though not as much as the New York outside. The director gives us glimpses of a post-apocalyptic Manhattan from time to time, externalising the internal collapse that Hoffman’s character is suffering.


So again, why should you see it? Because it is more thoughtful, philosophical and quirkily amusing than anything else being shown at the moment. It will engage your brain, is visually stunning and is also the type of film that Europe used to be very good at. Perhaps Obama’s presidency has already changed things completely in the US, or, more likely, such ideas already existed – it is just that people’s perception of what Americans can do that has changed.
124 mins.
Jeremy Slater

Please check local listings before travelling. For more reviews, check out www.picturenose.com

'Expatica's weekly cinema-review section is brought to you in collaboration with Picturenose.com'  

About our reviewers : Putting you in the picture 

Expatica 2009    

 



1 reaction to this article

Francesco Sinibaldi posted: 2009-06-22 19:26:29

J'espère qu'à l'avenir....

Le soleil,
quand le chant
du matin couvre
le sourire avec
tendre poésies,
paraît la lumière
qui éclaire la
chanson d'un
monde solitaire,
et d'un rêve
infini.....

Francesco Sinibaldi

1 reaction to this article

Francesco Sinibaldi posted: 2009-06-22 19:26:29

J'espère qu'à l'avenir....

Le soleil,
quand le chant
du matin couvre
le sourire avec
tendre poésies,
paraît la lumière
qui éclaire la
chanson d'un
monde solitaire,
et d'un rêve
infini.....

Francesco Sinibaldi

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