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You are here: Home Leisure Arts & Culture Music review: Lone Star Lyle
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23/03/2009Music review: Lone Star Lyle

Music review: Lone Star Lyle Besuited and bequiffed Texan singer Lyle Lovett rambled into Brussels and wowed a packed crowd in the Ancienne Belgique.

Lyle Lovett
AB Main Hall
22 March 2009

The natives were restless as they waited for his familiar quiff to appear from the shadows of the AB stage. No wonder since this was, surprisingly, Lyle Lovett’s first ever Brussels concert. He was clearly delighted to be here, and the noisy sell-out crowd let him know the feeling was mutual. He did not come with his Large Band of previous tours but an acoustic group, consisting of his long-term collaborator John Hagen on cello and guitarist and talented mandolin player Keith Sewell (who first picked up an instrument at the grand old age of three), plus base player, and drummer. Anyone expecting a pure Texan country fest, would have been taken aback by the line-up but Lovett likes to mix it up.

And in that mix were southern Texan bar music, a bit of blues, a fine gospel song and lashings of jazz. He even had time for a very funny cheeky number, Keep It In The Pantry, about the dangers of leaving our loved ones far behind when we travel (as any troubadour must).




With great aplomb he delivered standards such as Private Conversation, I Will Rise Up/Aint No More Cane and My Baby Don’t Tolerate, with its chopped-up soulful lyrics. When he sings these plaintiff love songs, he’s at his best, wearing his Lone Star heart on his sleeve, squeezing out his lyrics - lonesome, poetic and with a knife-keen edge.

Lovett paid tribute to an ancestral line of Texan singer-songwriters, such as Guy Clark and Townes Van Zandt. The highlight of the evening for me was a beautiful, simply delivered rendition of Van Zandt’s Flying Shoes.

I like jazz well enough but I thought that it and the country folk were uneasy bedfellows at times. The musicianship could not be faulted – it really was top notch - but it was strange to be standing rather sitting in some smoky jazz club as musicians were allowed their solo moments in the sun. As Kris Kristofferson once said: ‘If it sounds like Country, it’s Country.’ At times it didn’t quite feel like what I came for but these moments were few and far between in a concert that ran over the two-hour mark and rarely disappointed.

Long before the end, with If I Were The Man You Wanted (‘And if I were the man you wanted I would not be the man that I am’), If I Had a Boat and his anthem That's Right, You're Not From Texas, he had delivered what those patient local aficionadas had come for and more.

He asked if we could put in a good word so that he would be allowed to come back here. That’s right, Lyle, you’re not from Brussels but Brussels wants you anyway.

 

Paul Morris



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